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The Man in the Gray Flannel Suit
by Sloan Wilson
Four Walls Eight Windows
November 2002, 288 pages, $13.95 U.S.
By D.R.Peak
PopMatters Book Critic
"To decide, to be at the level of choice, is to take responsibility for your
life and to be in control of your life."
Abbie M. Dale
Doing the Right Thing in the Post World War Two Era
Now, I could start by telling you the obvious: That this is one of the best
novels written about the post-WW II lifestyle and how families were coping with
the traumas induced on the men who saw combat overseas. I could tell you that
this book came out in the mid-fifties, that it was made into an award-winning
film starring Gregory Peck not long after its initial release, and that it was
an international bestseller, translated into 26 languages and banned in Russia
(apparently for espousing capitalist values.)
I could point out that this novel is a precursor of sorts to such diverse
latter-day reads as The Accidental Tourist and Bright Lights, Big City
as well as the acclaimed film The Deer Hunter.
I could give you a short, essay-style synopsis such as:
The Man in the Gray Flannel Suit was written by a man named Sloan Wilson
in 1955. It is about a man named Tom Rath, a hapless office-drone, with a wife
and kids to take care of, a car that's in its death throes, and a job with no
chance of advancement. He decides to take a gamble and apply for a position at a
bigger company, even though he has no real experience or even true desire for
the job. He hears himself saying things like "...it certainly sounds
interesting," when inside he wants to tell his new employers how ridiculous and
implausible they all seem. He sacrifices time with his family for nightly
meetings at the boss' apartment that get nowhere. He flies on the company card
to set up press conferences and out of town meetings for his boss, one of the
richest and most influential men in the country. He tries his hardest to like
his job, but never quite gets comfortable with it. He feels a sham, a liar to
everyone around him. But he keeps his thoughts to himself because he's finally
able to make enough money to take care of his family without worrying about next
month's bills.
But then many unexpected events occur: his mother dies, leaving him a crumbling
mansion and the worries that come bundled with it; he discovers that he had a
child with the woman whom he had an affair with while fighting overseas and that
she's in dire financial straits; he realizes that his community needs his
influence to grow and become a part of the fast-changing Twentieth Century. And
in the end, it's Rath's decisions about his difficult life that matter, that
show us how he's developed, changed--become responsible--because it's the right
thing to do. With a little influence from his wife, the true unsung hero of the
book.
But, I feel it is my responsibility to tell you that, like many out there in
today's world, the only thing I could recall hearing about the book before it
crossed my desk was the title, which has become a sort of put down for corporate
clones and business executives. The book was (apparently) about a man in the
business ranks of America struggling to climb the corporate ladder, doing
whatever it takes to be a success. I imagined the yuppies of the fifties,
fighting each other for dominance like rats in a cage.
I was pleasantly surprised to discover that The Man in the Gray Flannel Suit
is really about that nearly missing ingredient in today's business world. That
word is responsibility.
Now, responsibility when checked online at
www.yourdictionary.com
reads as
follows:
The state, quality, or fact of being responsible.
Something for which one is responsible; a duty, obligation, or burden.
But when checked in my copy of Thorndike and Barnhart's Handy Pocket
Dictionary (copyright 1951, not long before The Man in the Gray Flannel
Suit was written, which may have sat on Sloan Wilson's desk for all we know,
reads a little differently:
Being responsible.
Thing for which one is responsible: A debt is a responsibility.
It's that last part that really matters so you better read it again: A debt is a
responsibility. And The Man in the Gray Flannel Suit is
really--before anything else--about being responsible and paying one's debts.
To society, family, the past. Wilson's character of Tom Rath (whom Wilson based
mostly on himself, not just a generic "everyman" like many critics and readers
originally supposed) learns to become responsible to his wife, family,
neighborhood, the things he did in the past. He accepts his past faults, decides
that if he's ever going to make it in the world he has to improve his
relationship with his wife and family first and foremost.
He becomes a better person by deciding to face the truth and live responsibly.
To gain respect from his family and peers instead of working towards a life with
no substance at all might be harder work than anything he'd ever attempted
before but, by god, he was going to try.
Tom Rath, responsibly, decides he would rather have a soul.
Something everyone--not just those in the business world--needs to remember.